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So many girls and women still don’t realize how strong they are mentally, and emotionally, and how much greatness they hold inside themselves. Many girls and women before have fought tooth and nail, and with all their might, to pioneer and prove their strength, and worth. Doing this for themselves, and others. Paving a road for generations and lifetimes to come.

It is important to share these stories as reminders, that we girls and women are strong, capable, willing, and eager. We are filled with endless possibilities and infinite results. We are truly only limited by ourselves. Resourcefulness is one of our weapons of strength. Mentality, determination, and personality, are some of the other weapons in our strength arsenal. Let us not forget, being dogmatic, methodical, forgiving, and open-minded, rounding out just some of our gifts of being a girl and woman. The beauty of a girl, and a woman, is being strong in conviction and having strength in her conviction.

So, for every girl, or woman, that needs reinforcement today, or any day, this is one of the so many stories there are for you. The story of a woman, and how she created her own rules and was the ‘The Change’ she, and so many others, have lived, and are living by.

For it is equally important to be a strong woman and a woman of strength. A strong woman isn’t afraid of anything, and a woman of strength shows courage amid a fearful situation. A strong woman won’t let anyone get the best of her, and a woman of strength gives her best to everyone. The girl or woman finds the balance right for her. Constantly adapting, evolving, and growing. She knows she can be ‘The Change’.

May your day be inspired, today and every day.

(Below information as Reported by Wikipedia, and it’s sources)

As reported on Wikipedia

Pittsburgh Dispatch

A newspaper column titled “What Girls Are Good For” in the Pittsburgh Dispatch that reported that girls were principally for birthing children and keeping house prompted Elizabeth to write a response under the pseudonym “Lonely Orphan Girl”.

The editor, George Madden, was impressed with her passion and ran an advertisement asking the author to identify herself. When Cochrane introduced herself to the editor, he offered her the opportunity to write a piece for the newspaper, again under the pseudonym “Lonely Orphan Girl”.

Her first article for the Dispatch, titled “The Girl Puzzle”, argued that not all women would marry and that what was needed were better jobs for women.

Her second article, “Mad Marriages”, was about how divorce affected women. In it, she argued for reform of divorce laws. “Mad Marriages” was published under the byline of Nellie Bly, rather than “Lonely Orphan Girl”.

It was customary for women who were newspaper writers at that time to use pen names. The editor chose “Nellie Bly”, after the African American title character in the popular song “Nelly Bly” by Stephen Foster.

Cochrane originally intended that her pseudonym be “Nelly Bly”, but her editor wrote “Nellie” by mistake, and the error stuck. Madden was impressed again and offered her a full-time job.

As a writer, Nellie Bly focused her early work for the Pittsburgh Dispatch on the lives of working women, writing a series of investigative articles on women factory workers. However, the newspaper soon received complaints from factory owners about her writing, and she was reassigned to women’s pages to cover fashion, society, and gardening, the usual role for women journalists, and she became dissatisfied. Still only 21, she was determined “to do something no girl has done before.”

She then traveled to Mexico to serve as a foreign correspondent, spending nearly half a year reporting on the lives and customs of the Mexican people; her dispatches later were published in book form as Six Months in Mexico. In one report, she protested the imprisonment of a local journalist for criticizing the Mexican government, then a dictatorship under Porfirio Díaz. When Mexican authorities learned of Bly’s report, they threatened her with arrest, prompting her to flee the country. Safely home, she accused Díaz of being a tyrannical czar suppressing the Mexican people and controlling the press.

The Asylum

Burdened again with theater and arts reporting, Bly left the Pittsburgh Dispatch in 1887 for New York City. She faced rejection after rejection as news editors would not consider hiring a woman. Penniless after four months, she talked her way into the offices of Joseph Pulitzer‘s newspaper the New York World and took an undercover assignment for which she agreed to feign insanity to investigate reports of brutality and neglect at the Women’s Lunatic Asylum on Blackwell’s Island, now named Roosevelt Island.

It was not an easy task for Bly to be admitted to the Asylum: she first decided to check herself into a boarding house called Temporary Homes for Females. She stayed up all night to give herself the wide-eyed look of a disturbed woman and began making accusations that the other boarders were insane. Bly told the assistant matron: “There are so many crazy people about, and one can never tell what they will do.” She refused to go to bed and eventually scared so many of the other boarders that the police were called to take her to the nearby courthouse. Once examined by a police officer, a judge, and a doctor, Bly was taken to Blackwell’s Island.

Committed to the asylum, Bly experienced the deplorable conditions firsthand. After ten days, the asylum released Bly at The World‘s behest. Her report, published on 9 October 1887 and later in book form as Ten Days in a Mad-House, caused a sensation, prompted the asylum to implement reforms, and brought her lasting fame. She had a significant impact on American culture and shed light on the experiences of marginalized women beyond the bounds of the asylum as she ushered in the era of stunt-girl journalism.

In 1893, Bly used the celebrity status she had gained from her asylum reporting skills to schedule an exclusive interview with the allegedly insane serial killer Lizzie Halliday.

Biographer Brooke Kroeger argues:

Her two-part series in October 1887 was a sensation, effectively launching the decade of “stunt” or “detective” reporting, a clear precursor to investigative journalism and one of Joseph Pulitzer’s innovations that helped give “New Journalism” of the 1880s and 1890s its moniker. The employment of “stunt girls” has often been dismissed as a circulation-boosting gimmick of the sensationalist press. However, the genre also provided women with their first collective opportunity to demonstrate that, as a class, they had the skills necessary for the highest level of general reporting. The stunt girls, with Bly as their prototype, were the first women to enter the journalistic mainstream in the twentieth century.

Around the world and general impact

In 1888, Bly suggested to her editor at the New York World that she take a trip around the world, attempting to turn the fictional Around the World in Eighty Days (1873) into fact for the first time. A year later, at 9:40 a.m. on November 14, 1889, and with two days’ notice, she boarded the Augusta Victoria, a steamer of the Hamburg America Line, and began her 40,070-kilometer journey.

To sustain interest in the story, the World organized a “Nellie Bly Guessing Match” in which readers were asked to estimate Bly’s arrival time to the second, with the Grand Prize consisting at first of a trip to Europe and, later on, spending money for the trip. During her travels around the world, Bly went through England, France (where she met Jules Verne in Amiens), Brindisi, the Suez CanalColombo (Ceylon), the Straits Settlements of Penang and Singapore, Hong Kong, and Japan.

Just over seventy-two days after her departure from Hoboken, Bly was back in New York. She had circumnavigated the globe, traveling alone for almost the entire journey. Bly’s journey was a world record, though it only stood for a few months until George Francis Train completed the journey in 67 days.


After the fanfare of her trip around the world, Bly quit reporting and took a lucrative job writing serial novels for publisher Norman Munro‘s weekly New York Family Story Paper. The first chapters of Eva The Adventuress, based on the real-life trial of Eva Hamilton, appeared in print before Bly returned to New York. Between 1889 and 1895 she wrote eleven novels. As few copies of the paper survived, these novels were thought lost until 2021, when author David Blixt announced their discovery, found in Munro’s British weekly The London Story Paper. In 1893, though still writing novels, she returned to reporting for the World.

Later Work

In 1895, Bly married millionaire manufacturer Robert Seaman. Bly was 31 and Seaman was 73 when they married. Due to her husband’s failing health, she left journalism and succeeded her husband as head of the Iron Clad Manufacturing Co., which made steel containers such as milk cans and boilers. In 1904, Seaman died.

That same year, Iron Clad began manufacturing the steel barrel that was the model for the 55-gallon oil drum still in widespread use in the United States. There have been claims that Bly invented the barrel, but the inventor was registered as Henry Wehrhahn (U.S. Patents 808,327 and 808,413).

Bly was, however, an inventor in her own right, receiving U.S. Patent 697,553 for a novel milk can and U.S. Patent 703,711 for a stacking garbage can, both under her married name of Elizabeth Cochrane Seaman. For a time, she was one of the leading women industrialists in the United States. But her negligence, and embezzlement by a factory manager, resulted in the Iron Clad Manufacturing Co. going bankrupt.

Back in reporting, she covered the Woman Suffrage Procession of 1913 for the New York Evening Journal. Her article’s headline was “Suffragists Are Men’s Superiors” and in its text, she accurately predicted that it would be 1920 before women in the United States would be given the right to vote.

Bly wrote stories on Europe’s Eastern Front during World War I. Bly was the first woman and one of the first foreigners to visit the war zone between Serbia and Austria. She was arrested when she was mistaken for a British spy.


In 1998, Bly was inducted into the National Women’s Hall of Fame. Bly was one of four journalists honored with a US postage stamp in a “Women in Journalism” set in 2002.

In 2019, the Roosevelt Island Operating Corporation put out an open call for artists to create a Nellie Bly Memorial art installation on Roosevelt Island. The winning proposal, The Girl Puzzle by Amanda Matthews, was announced on October 16, 2019. The Girl Puzzle opened to the public in December 2021.

The New York Press Club confers an annual Nellie Bly Cub Reporter journalism award to acknowledge the best journalistic effort by an individual with three years or less of professional experience. In 2020, it was awarded to Claudia Irizarry Aponte, of THE CITY.


Bly was the subject of the 1946 Broadway musical Nellie Bly by Johnny Burke and Jimmy Van Heusen. The show ran for 16 performances.

During the 1990s, playwright Lynn Schrichte wrote and toured Did You Lie, Nellie Bly? a one-woman show about Bly.

Film and Television

Bly has been portrayed in the films The Adventures of Nellie Bly (1981), 10 Days in a Madhouse (2015), and Escaping the Madhouse: The Nellie Bly Story (2019). In 2019, the Center for Investigative Reporting released  Nellie Bly Makes the News, a short animated biographical film. A fictionalized version of Bly as a mouse named Nellie Brie appears as a central character in the animated children’s film An American Tail: The Mystery of the Night Monster.

Anne Helm appeared as Nellie Bly on November 21, 1960, Tales of Wells Fargo TV episode “The Killing of Johnny Lash”. Julia Duffy appeared as Bly in the July 10, 1983 Voyagers! the episode “Jack’s Back”. The character of Lana Winters (Sarah Paulson) in American Horror Story: Asylum is inspired by Bly’s experience in the asylum. Bly was also a subject of Season 2 Episode 5 of The West Wing in which First Lady Abbey Bartlet dedicates a memorial in Pennsylvania in honor of Nellie Bly and convinces the President to mention her and other female historic figures on his weekly radio address.

Bly has been the subject of two episodes of the Comedy Central series Drunk History. The second-season episode “New York City” featured her undercover exploits in the Blackwell’s Island asylum, while the third-season episode “Journalism” retold the story of her race around the world against Elizabeth Bisland.

On May 5, 2015, the Google search engine produced an interactive “Google Doodle” for Bly; for the “Google Doodle” Karen O wrote, composed, and recorded an original song about Bly, and Katy Wu created an animation set for Karen O’s music.


Bly has been featured as the protagonist of novels by David Blixt, Marshall Goldberg, Dan Jorgensen, Carol McCleary, Pearry Reginald Teo, and Christine Converse. David Blixt also appeared on a March 10, 2021, episode of the podcast Broads You Should Know as a Nellie Bly expert.

A fictionalized account of Bly’s around-the-world trip was used in the 2010 comic book Julie Walker Is The Phantom published by Moonstone Books (Story: Elizabeth Massie, art: Paul Daly, colors: Stephen Downer).

Bly is one of 100 women featured in the first version of the book Good Night Stories for Rebel Girls written by Elena Favilli & Francesca Cavallo.

Eponyms and Namesakes

The board game Round the World with Nellie Bly created in 1890 is named in recognition of her trip.

The Nellie Bly Amusement Park in Brooklyn, New York City, was named after her, taking as its theme Around the World in Eighty Days. The park reopened in 2007 under new management, renamed “Adventurers Amusement Park”.

fireboat named Nellie Bly operated in Toronto, Canada, in the first decade of the 20th century. From early in the twentieth century until 1961, the Pennsylvania Railroad operated an express train named the Nellie Bly on a route between New York and Atlantic City, bypassing Philadelphia. In its early years, it was a parlor-car-only train; in 1901 it crashed, killing 17 people.


Within her lifetime, Nellie Bly published three non-fiction books (compilations of her newspaper reportage) and one novel in book form.

Between 1889 and 1895, Nellie Bly also penned twelve novels for The New York Family Story Paper. Though lost, these novels were not collected in book form until their re-discovery in 2021.

  • Eva The Adventuress (1889)
  • New York By Night (1890)
  • Alta Lynn, M.D. (1891)
  • Wayne’s Faithful Sweetheart (1891)
  • Little Luckie, or Playing For Hearts (1892)
  • Dolly The Coquette (1892)
  • In Love With A Stranger, or Through Fire And Water To Win Him (1893)
  • The Love Of Three Girls (1893)
  • Little Penny, Child Of The Streets (1893)
  • Pretty Merribelle (1894)
  • Twins & Rivals (1895)

It always puts me in a state of admiration and respect, for what girls and women are capable of. We are not the add-on to a sentence, not the end of one either. In fact, we are more than capable of being the sentence itself, the paragraph, the book, the story, and the legend. All on a scale of our choosing. We can control the narrative of our lives. It simply takes putting one foot in front of the other, and taking initiative, taking a chance on yourself, controlling the narrative and tone of your story, your legend.

What will your narrative be to the legend of your life?


Leila von Steinburg Morse,

Leila World Blog